If you're in the market for a military grade tough phone without the bulk, then check out the latest  IIIF150  Ultra Thin Rugged Phones.

In this video I got hands on with several models checking out the toughness and water resistance capabilities.

They are impressively thin considering how tough they are in and out of the water.

Thanks to BELKIN for supporting our trip to Mobile World Congress.

Security Cameras, Smart Home, EV, Cameras Djuro Sen Security Cameras, Smart Home, EV, Cameras Djuro Sen

Image Matrix Tech on Sky News: Home security camera alert - GoPro Hero 11 - MG EVs and charging expansion - FujiFilm X-H2 8K

In Sunday's segment on Sky News Australia (Weekend Edition with Tim Gilbert) we covered security flaws found in a popular brand of home surveillance cameras that could allow hackers to steal images and take control of the device. A recent investigation by the security company Bitdefender found these flaws. They found it’s possible for hackers to remotely control some EZVIZ cameras and even download images from them.

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Cameras, Lens, PRO Djuro Sen Cameras, Lens, PRO Djuro Sen

FUJIFILM X-H2 and FUJINON XF56mmF1.2 R WR Unboxing

Here's the first of a couple of videos on the Fujifilm X-H2. It's the new hi-res APS-C camera from Fujifilm and it's available later this month for a RRP of $3399 AUD. In this unboxing you'll see how it resembles its sister-camera the X-H2S. While the X-H2S is built for fast action, the X-H2 is built for resolution in stills and video thanks to a back-illuminated 40.2MP X-Trans CMOS 5 HR sensor and the high-speed X-Processor 5.

It's the world’s first APS-C camera to enable 8K/30P/25P Apple ProRes internal recording. We also unbox the perfect lens to go with the X--H2 .. the FUJINON XF56mmF1.2 R WR.

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Shenzhen

This is a highlight package of Shenzhen's amazing light show celebrating China's 40th anniversary of reform and opening-up. The rise of Shenzhen from 30 thousand to more than 12 million since 1980 has to be seen to be believed. It's a must visit for any tech lover.

This edit was shot on a Sony a9 with a Sony G Master 16-35mm f/2.8 lens.

Video is 'as shot' no grading or corrections. Audio is from the internal microphone.